Lecture “Buddhist Material Culture in East Asian Tea Tradition: The Way of Tea, the Art of Tea, and Tea Ceremony” by Jin Kyoung Choi

As part of the Permanent Training in Buddhist Studies lecture series, Prof. Jin Kyoung Choi (Ghent Centre for Buddhist Studies) delivered a talk titled “Buddhist Material Culture in East Asian Tea Tradition: The Way of Tea, the Art of Tea, and Tea Ceremony” on Tuesday, 29 April 2025, at the Faculty Library of Arts and Philosophy, Ghent University.

This rich and insightful lecture traced the historical and cultural evolution of the tea ceremony across East Asia, unfolding in five compelling chapters. Prof. Jin began at the spiritual heart of China’s tea culture: Jingshan Temple 径山寺 in Hangzhou, which is widely recognized as the birthplace of the formal tea ceremony. The lecture then took us across the sea to Japan, where Chinese tea culture took on a new life. During the Northern Song dynasty, powdered tea (Ch. chá; J. macha 抹茶) was brought to Japan by monks and evolved into the world-renowned Japanese tea ceremony. Known as chadō 茶道—the Way of Tea—it became deeply embedded in Zen Buddhist practice and Japanese aesthetics. Turning back to the Sinosphere, the focus shifted to gongfucha 功夫茶, the high-skill brewing method that originated in the Chaozhou region of Guangdong. This practice was carried to Taiwan, where it took root and evolved. Oolong tea, in particular, became Taiwan’s most celebrated varietal.

An especially intriguing part of the lecture explored how modern Chinese and Taiwanese societies are negotiating the cultural legacies of tea. The term chadō is rarely used in contemporary China or Taiwan due to its strong association with Japanese tea tradition. Instead, Taiwan promotes chayi 茶艺(art of tea), emphasizing artistic expression and cultural refinement, while mainland China has been working to revive the ancient Song-style powdered tea ceremony as a distinct national heritage. The lecture also shed light on Korea’s distinct tea practices, charye and darye. 

Reading group meeting, presentation by Siqi Tang, April 25, 2025

After the Easter break, we resumed our Reading Group activities. For the remainder of the term, we will focus on Ming and Qing dynasties local gazetteers (方志) of the Chongqing area and the historical information they provide on the Buddhist temples of the city.

Our Joint Phd student Siqi Tang (Chongqing and Ghent Universities) presents the materials and will guide the reading. In the first meeting, she gave a very thorough introduction to the various types of gazetteers, how to find and use gazetteers databases, in addition to introducing us to this genre of historical records.

Publication highlights (Q2 20254): Literary transcreation as a Jain practice

New open-access book Literary transcreation as a Jain practice, edited by Eva De Clercq (Ghent Centre for Buddhist Studies) , Heleen De Jonckheere, and Simon Winant, has been published as Volume 13 in the series Beiträge zur kulturwissenschaftlichen Süd- und Ostasienforschung.

This volume developed out of a conference, “Literary Transcreation as a Jain Practice,” originally scheduled for May 2020, but due to the global COVID pandemic, it was postponed to September 2022. The idea for the conference arose from the shared research interests of the conference organisers and this volume’s editors whose work on Jain narrative literature prompted them to ask what conclusions may be drawn from the many creative engagements by Jains with existing literary objects, and how these may contribute to the field of South Asian Studies.

A vast corpus of Jain texts lies unexamined in manuscript libraries, several of them new versions of earlier works. Though the prevalence of literary transcreation in Jain communities is striking, it is by no means a practice exclusive to them. The field of South Asian Studies has increasingly dealt with the creative engagement of authors with an authoritative literary object. Although these studies have brought to the fore important conclusions, the Jains as a literary community have remained absent from these discussions. This volume addresses this gap, highlighting the influential role of Jain authors in the multilingual literary world of South Asia.

Citation

De Clercq, Eva, Heleen De Jonckheere, and Simon Winant, eds. 2025. “Literary Transcreation as a Jain Practice.” Baden-Baden: Ergon. https://doi.org/10.5771/9783987401602.

Table of Content

Heleen De Jonckheere

Introduction: Jain Transcreations and the Creativity of Similarity …………… 9

Mary and John Brockington

All Things to all Men — and Women: Rāma transcreated …………… 25

Eva De Clercq

“Life of Padma” Times Three: Telling the same Story in Prakrit, Sanskrit, and Apabhramsha …………… 51

Gregory M. Clines

Heroism or Detachment: Reading Hastimalla’s Añjanāpavanañjaya …………… 77

Basile Leclère

Kumārapāla’s Wedding with Fair-Compassion: An Allegorical Story retold from Drama to Narratives …………… 95

Simon Winant

The Auspicious Dreams of Kuntī and Mādrī in Devaprabhasūri’s Pāṇḍavacarita: Turning the Pāṇḍavas into Quasi-Mahāpuruṣas? …………… 119

Neha Tiwari

A City of Two Tales: Structure of Causality in Jain and Hindu Accounts of the Destruction of Dvārakā and the Death of Kṛṣṇa …………… 143

Shubha Shanthamurthy

A Case Study in Jaina Transcreation: Jalakrīḍā in the Nēmi Narratives …………… 175

Anna Aurelia Esposito

The Story of King Yaśōdhara – Processes of Transformation …………… 209

Anil Mundra

Repudiation, Reinvention, and Reconciliation: Ātmārām and Haribhadrasūri’s other Readers on other Gods …………… 227

John E. Cort

Translation as Commentary and Commentary as Translation in Jain Literary Practice …………… 245

Cover Image References …………… 277

Lecture “Greek gods in Gandhāran Buddhist art: How are images copied and reinterpreted” by Osmund Bopeararchchi

As part of the Permanent Training in Buddhist Studies lecture series, Prof. Osmund Bopeararchchi (University of Lens) delivered a talk titled “Greek gods in Gandhāran Buddhist art: How are images copied and reinterpreted” on Tuesday, 22 April 2025, at the Faculty Library of Arts and Philosophy, Ghent University.

Prof. Bopearachchi opened his lecture by outlining the historical context of the Gandhāra region, a unique cultural crossroads shaped by the Greek presence north of the Hindu Kush mountains following Alexander the Great’s conquests. He then explored how Greek motifs were incorporated into Gandhāran Buddhist art, demonstrating the influence through elements such as realistic facial expressions, Corinthian columns, Hellenistic furniture, clothing, and ornamentation. These were contrasted with artistic representations found in production centers south of the Hindu Kush, highlighting regional stylistic differences.

The lecture then turned to the presence of Greek deities in Gandhāran art. Among them was Tyche (Fortuna), the goddess of success, who often appeared as the genius loci—the protective spirit of a city. Another significant example was Heracles, who was reinterpreted as Vajrapāṇi, the protector of the Buddha, typically shown wielding a thunderbolt in place of his traditional club.

The talk concluded with a discussion on the Dionysian cult of viticulture and wine consumption. Prof. Bopearachchi shared his recent research identifying scenes of joyful wine-drinkers not merely as bacchic revelry, but as representations of gandharvas—celestial musicians and dancers from the demigod realm in Buddhist cosmology.

Guest lecture “How to Traumatize Your Opponent: Mockery in Chinese Buddhist Scholastic Debate” by Xiaoming Hou, April 30, 2025

Dr. Xiaoming Hou of UC Berkeley will deliver the following lecture on Wednesday, April 30 at 16:00 in the Faculteitszaal (1st floor of the Blandijn) :

Title:

How to Traumatize Your Opponent: Mockery in Chinese Buddhist Scholastic Debate

 

Abstract:

The legendary Samye debate is widely regarded as a landmark in the history of Sino-Tibetan transcultural exchange. Since the publication of Paul Demiéville’s Le Concile de Lhasa, the Dunwu dasheng zhengli jue 頓悟大乘正理決 (The Ratification of Sudden Awakening as the True Principles of Mahāyāna) has been recognized as a key Chinese source for understanding both the historical episode and the doctrinal contours of the debate it records. This talk draws attention to a seemingly minor rhetorical feature of the text and proposes to use it as a lens through which to explore the broader culture of scholastic debate in medieval China. Drawing on a range of sources, it examines mockery as a distinctive rhetorical strategy in Chinese religious disputation, deployed in both intra-Buddhist debates and inter-religious encounters with other Chinese traditions. By foregrounding this strategy, the talk reconsiders the nature of Dunwu dasheng zhengli jue as a polemical document and invites further reflection on the disparate scholastic frameworks shaping what counts as a “winnable argument” in Chinese versus Indian and Tibetan traditions.

 

Bio:

Xiaoming Hou is currently a Glorisun Postdoctoral Fellow at UC Berkeley. She is a scholar of Chinese Buddhism specializing in Chinese Buddhist scholasticism and cross-cultural transmission. She received her Ph.D. from EPHE/PSL (École Pratique des Hautes Études/Université Paris Sciences et Lettres) in Paris, Department of Religions et Système de pensées in 2022. Her doctoral thesis, entitled Pratiquer le bouddhisme en chinois: traduction et reconstruction des enseignements sur la méditation bouddhique du IIe au VIe siècles en Chine, focuses on the interdependent dynamics between meditation and exegesis in early medieval China.

New member: Siqi Tang

Siqi Tang is a visting PhD student sponsored by the China Scholarship Council (CSC) within the Department of Languages and Cultures at Ghent University. She holds a Master’s degree in Landscape Architecture from Chongqing University and is currently pursuing a PhD in Landscape Architecture at Chongqing University. Her research interests include Chinese urban history, Chinese landscape history, Chinese scenic heritage, and digital humanistic methods.

Her current research project “Research on the Influence of Buddhism on the Historical ‘City-Mountain’ Landscape in Southwest China“, supervised by Prof. Dr. Christoph Anderl, systematically investigates Buddhist cultural landscapes, urban monasteries, pagodas, and rock carvings—and their mechanisms in shaping historical urban forms with a focus on Southwest China.  By analyzing these elements, the research aims to uncover the socio-cultural roots of Buddhism’s localization, deepen our understanding of the relationship between traditional Chinese religions and urban development, and enhance interpretative frameworks for religious-cultural landscapes. The findings will hold significance for guiding the preservation of relevant historical heritage sites and advancing interdisciplinary discourse on religious geography and urban history.

New member: Jing Liu

Jing Liu is a visting PhD student within the Department of Languages and Cultures at Ghent University. She holds a Master’s degree from Shanghai University and is currently pursuing a PhD there. Her current research project “Bide 比德: A Study on the Premodern Chinese Approach to the Integration of Morality and Aesthetics–An Examination of the Interaction between Confucian and Buddhist Aesthetics“, supervised by Prof. Dr. Christoph Anderl, explores the Confucian tradition of bide and its theoretical manifestations in literature and art, with a particular focus on the interaction between Confucian and Buddhist aesthetics as a key case study. In the history of ancient Chinese thought, bide 比德 initially existed as a universal mode of thinking with anthropological significance, referring to the association of certain human behaviors or concepts with the characteristics of natural entities. In ancient times, bide was closely associated with Confucian moral thought. However, the literary and artistic concepts that emerged from it gradually exhibited characteristics that diverged from morality and could be identified as aesthetic phenomena. Accordingly, the project will explore how bide evolved into a tradition that integrates morality and aesthetics.

Lecture “Exhibiting Buddhist Artworks in the Museum: reassessing the collection of the Royal Museum of Mariemont through provenance research” by Lyce Jankowski and Lara Bauden

As part of the Permanent Training in Buddhist Studies lecture series, on March 11th, Lyce Jankowski and Lara Bauden from the Royal Museum of Mariemont took us through their fascinating research on the museum’s Buddhist art collection. This collection, founded by Raoul Warocqué in the early 20th century, includes treasures from regions like Gandhara, Thailand, Vietnam, China, Japan, and Nepal. Despite its richness, many of these pieces had been poorly documented—until now!

Through meticulous provenance research, they’ve uncovered surprising findings, shedding new light on the identification and dating of these artworks. Don’t miss the ongoing exhibition Sensing the Buddha, where you can experience a selection from this remarkable collection. While displayed in a secular space, the exhibition deeply respects the sacred nature of these objects.

Doctoral school “Buddhist Material Culture”, June 26 – July 1, 2025

Abstract: This five-day, on-campus course explores how Buddhism has influenced the creation of new objects, ideas about objects, and behaviors related to objects. Focusing on China, the course requires no prior knowledge of Chinese, as all readings and instruction will be conducted in English. Designed for doctoral students, it is ideal for those with backgrounds or an interest in Art History, East Asian History, Religion and Material Culture, Buddhist Studies, Chinese Studies, or Chinese Religion. The course will offer ca. 20 contact hours in total, with 4 to 5 hours of instruction per day. It will feature a blend of lectures, small-group projects, discussions, participant presentations, and a museum visit.

Doctoral school: Call for applications

We are pleased to announce the following Doctoral School Specialist Course for PhD students at Ghent University (Belgium):

“Buddhist Material Culture”

Date: June 26 – July 1, 2025
Venue: Ghent University
Organizing committee: Prof. Dr. Ann Heirman and Dr. Anna Sokolova

Description

This five-day, on-campus course explores how Buddhism has influenced the creation of new objects, ideas about objects, and behaviors related to objects. Focusing on China, the course requires no prior knowledge of Chinese, as all readings and instruction will be conducted in English. Designed for doctoral students, it is ideal for those with backgrounds or an interest in Art History, East Asian History, Religion and Material Culture, Buddhist Studies, Chinese Studies, or Chinese Religion. The course will offer ca. 20 contact hours in total, with 4 to 5 hours of instruction per day. It will feature a blend of lectures, small-group projects, discussions, participant presentations, and a museum visit.

Thanks to the generous support of Ghent University, we are pleased to award a tuition fee waiver for a maximum of 5 international PhD students. To apply please send a one-page motivation letter and your CV to ann.heirman@ugent.be and anna.sokolova@ugent.be by April 15. The selected candidates will be notified by May 1.

Lecturers

Prof. John Kieschnick, Stanford University (head lecturer)

Prof. Sylvie Hureau, EPHE (guest lecturer)

Dr. Anna Sokolova (lecturer)

Tentative schedule

Thursday, June 26. The Big Picture: Material Culture and Material Religion

10:00-10:30 Welcome

10:30-12:00 The field of material culture studies (Kieschnick)

12:00-13:30 Lunch break

13:30-14:15: The rise of “material religion” as a field (Kieschnick)

14:15-14:30: Coffee break

14:30-15:30: What does “material culture” have to offer the study of Buddhism (discussion of Schopen, “Archaeology and Protestant Presuppositions in the Study of Indian Buddhism” in small groups and as a whole, led by Kieschnick)

15:30-15:45: Coffee break

15:45-16:30:  What is the Buddhist approach to material culture? (discussion of a brief sutra, a painting and an image, in small groups and as a whole, led by Kieschnick)

 

Friday, June 27: Museum Visit

09.30-11.00: Travel by bus to the Royal Museum of Mariemont

11.15-12.15: Problems with Buddhist icons part 1: Aniconism, iconoclasm, and the digital icon

12:15-13:30: Lunch break

13:30-14:30: Problems with Buddhist icons part 2: Museums (guided discussion)

14:30-14:45: Coffee break

14:45-16.45: Small group work (Identify a Buddhist object in a museum and discuss what is gained and what is lost when it is moved into a museum), followed by general discussion

17:00-18:30: Return to Ghent

 

Saturday, June 28: The Body

10:00-11:00: The foul body, the ideal body (Kieschnick)

11:00-11:15: Coffee break

11:15-12:15: Relics (Kieschnick)

12:15:-13:45: Lunch break

13.45-14:45: Small group work: the body in monastic biography

14:45-15:00: Coffee break

15.00-16.00: Presentations by students

 

Sunday, June 29: No Class

 

Monday, June 30: Material culture: Between Life and Afterlife

10:00-11.00: Strategies and Processes of Assimilation of Ordinary and Ritual Objects in Medieval China (Hureau)

11.00-11:15: Coffee Break

11:15-12:00: Guided discussion on “Strategies and Processes of Assimilation of Ordinary and Ritual Objects in Medieval China” (Hureau)

12:00:-13:30: Lunch Break

13:30-14:30:  Discovery of Grave Goods Across the Medieval Silk Road: Formation, Trans-mission and Adaptation of Ritual Practices (Sokolova)

14:30-15:15: Guided discussion on “Discovery of Grave Goods Across the Medieval Silk Road” (Sokolova)

15:15-15:30: Coffee break

15:30-16:30: Presentations by students

 

Tuesday, July 1: Books, Buildings, Ritual Objects

10:00-11:00: Buddhist books (Kieschnick)

11:00-11:15: Coffee break

11:15-12:15: Buddhist buildings (Kieschnick)

12:15:-13:45: Lunch break

13:45-14:45: Ritual objects (Kieschnick)

14.45-15.00: Coffee break

15.00-16:30: Objects in teaching about Buddhism (Kieschnick) + small group work (Buddhism in 10 Objects: Kieschnick, Hureau, Sokolova, Heirman)

2025 PTBS Lecture Series

Buddhism is a driving force in many regions of the world. Yet many aspects of it remain unknown. This is especially true when it comes to everyday praxis, to people now and in the past who incorporate Buddhism into their daily lives. This is the common thread throughout this lecture series. For anyone interested in religions of the world!

Organized by the Ghent Centre for Buddhist Studies, Permanent Training in Buddhist Studies lecture series – 2025 will take place on Tuesdays, 19:30-21:30 CET, in the Atrium of the Faculty of Arts and Philosophy Library (Rozier 44). Please visit the website of the Humanities Academy to register.

 

Tickets

  • Members of Ghent Centre for Buddhist Studies: €0 (registration is required)
  • Students: €5
  • Pay what you can: €10, €15 or €20

 

Program

11 March 2025 – Exhibiting Buddhist Artworks in the Museum: reassessing the collection of the Royal Museum of Mariemont through provenance research

  • by Lyce Jankowski and Lara Bauden (Royal Museum of Mariemont)

The Royal Museum of Mariemont houses a significant collection of Buddhist art, acquired by its founder, Raoul Warocqué, in the early 20th century. This collection includes statuary from various regions of Asia, such as Gandhara, Thailand, Vietnam, China, Japan, and Nepal, but, despite its richness, it has been poorly documented. Through provenance research, we have re-evaluated the identification and dating of many of these items, revealing surprising discoveries. The ongoing exhibition Sensing the Buddha showcases a selection from this collection. Although displayed in a secular museum, the exhibition aims to respect the sacred dimensions of the objects.

 

Tuesday 18 March 2025 – Introducing Chinese Buddhism in Secondary School Curriculums: Teaching Materials, Past Activities and Future Projects at the Liceo Seneca of Rome

  • by Laura Lettere (Sapienza University of Rome)

The teaching of Chinese Language and Civilization in Italian high schools has a twenty-year history – as of 2018, around 200 Italian schools included Chinese language instruction in their curriculum. This presentation will briefly outline the structure of the Chinese Language and Civilization curriculum in linguistic high schools in Italy, focusing specifically on the teaching of Chinese culture, and particularly Chinese Buddhism, to students in their third, fourth, and fifth years of high school.

The presentation will address the treatment of Chinese Buddhism in textbooks and the educational activities planned for the third and fourth years, where the subject intersects with cross-cutting topics such as cultural otherness, gender equality, emotional management, and traditional interdisciplinary themes like travel. The analysis of Chinese-language texts provides opportunities for in-depth discussions on narratology and style.

The discussion will explore how a predominantly religious theme can be adapted for multicultural classrooms, including through field trips to visit places of worship within the Chinese community in Rome. The presentation will conclude with the introduction of a planned educational activity for the 2025/26 school year, illustrating how teachers’ specific research interests and fieldwork experiences in China or other Sinophone countries can offer fresh insights and practical tools to meet the educational needs of fifth-year high school students.

Tuesday 25 March 2025 – Globalizing Vipassanā meditation from Myanmar

  • by Daniel M. Stuart (University of South Carolina)

In this lectureI extend previous research on the history of mid-twentieth-century Burmese vipassanā (insight) meditation through an exploration of some of the particularities of the meditation-teaching models of the lay meditation master and first Accountant General of Independent Burma, Sayagyi U Ba Khin (1899–1971). While much scholarship has glossed over the charismatic healing modalities of U Ba Khin and his students, I argue here that charismatic healing was at the center of U Ba Khin’s teaching practices. What is more, U Ba Khin’s charismatic approach to meditation and meditation teaching was embedded in a missionary theory that shared thematic elements with esoteric weizzā (wisdom-power) traditions oriented to spiritual practices that might lead to world-domination in a postcolonial Burmese context. Drawing primarily on U Ba Khin’s oral Burmese Dharma talks, I suggest that U Ba Khin’s mission to spread vipassanā in the twentieth century can best be understood as the project of a weizzā-dho (Pāli: vijjādhara), a wizard wielding a particularly powerful form of vipassanā-vijjā (the wisdom-power of insight meditation). I also explore how the post-war context of U Ba Khin’s mission, his concerns around the fallout of the use of nuclear weapons in the Asian theatre, and his attempt to scientize Buddhist theories of matter, influenced how he understood the process of vipassanāmeditation.

 

Tuesday 1 April 2025 – Mosquitos and Ants Between India and China: Buddhist attitudes Towards Insects

Buddhist texts generally prohibit the killing of all sentient beings. This is certainly the case in vinaya (disciplinary) texts, which contain strict guidelines on the preservation of all human and animal life. When these vinaya texts were translated into Chinese, they formed the core of Buddhist behavioural codes, influencing both monastic and lay followers. Chinese vinaya masters, such as Daoxuan 道宣 (596–667) and Yijing 義淨 (635–713), wrote extensive commentaries and accounts, introducing Indian concepts into the Chinese environment. In this lecture, we focus on an often neglected aspect of inflicting harm on sentient beings: namely, the injury that may be caused to some of the world’s smallest animals — insects. Some insects produce economically valuable products, such as silk and honey; others, such as mosquitoes and ants are annoying or dangerous; and still others are innocent victims of essential human activities, such as earthworms that are killed when farmland is tilled. Yet, all of these are sentient beings that — according to Buddhist principles — should not be harmed or killed. What this implies for Chinese vinaya masters, and especially the highly influential Daoxuan, is the core question of this lecture. As we will see, their responses are mixed, but they always attempt to remain true to the basic principles of Buddhism.

 

Tuesday 22 April 2025 – Greek gods in Gandhāran Buddhist art: How are images copied and reinterpreted

The Gandhāran Budhist art flourished under the auspicious political domination of the Kuṣāṇ Empire in a vast region which was once the cradle of diverse political supremacies and civilisations, such as those of the Achaemenids, the Greeks, the Scythians and the Parthians. The presence of Western powers in the fertile lands of Gandhāra and Greater Gandhāra for many generations gave birth to an innovative art characterized by naturalism and narrative power. The specificity of Gandhāran art is also its ability to narrate an Indian story,  namely the life story of the Guatama Buddha, his previous lives and peripheral stories using both Western and Indian artistic motifs. The presence of Greeks in the area since the conquest of Alexander the Great is an important historical fact. This talk highlights how, thanks to these cross-cultural interactions, a new complex art with an iconographic program illustrated by its singularity was born in Gandhāra. The purpose of this presentation is to examine how Greek gods and heroes were used to dramatize the life story of Gautama Buddha.

 

Tuesday 29 April 2025 – Buddhist Material Culture in East Asian Tea Tradition: The Way of Tea, the Art of Tea, and Tea Ceremony

Europeans have been enjoying tea since the Dutch East India Company first introduced it to the continent in 1610. However, the historic development of tea culture as practiced in

East Asia remains relatively underexplored and is often perceived as exotic by the global majority. Despite growing interest, particularly among younger generations in the West, there is a lack of comprehensive academic research and reliable publications to deepen our understanding of the living traditions of “skillfully” brewing and enjoying tea. In this lecture,

We will delve into the history and evolution of one of the most refined tea practices, the Gongfu tea ceremony, which has spread from China across East Asia. We will explore how Buddhism shaped the development of tea culture in China, Taiwan, Japan and Korea, while also examining how tea rituals have been adapted within various Buddhist schools, including Chan (Zen) and Pure Land traditions. Furthermore, the Gongfu tea ceremony will be discussed in relation to other religious, ethnological, and anthropological contexts, shedding light on its socio-political significance and its role in fostering communal harmony.

Tuesday 6 May 2025 – Everything You Didn’t Know You Ever Wanted to Know about Buddhist Manuscript Cultures in Greater Gandhāra

Buddhism flourished well into the first millennium of the Common Era throughout the area of Greater Gandhāra, an area encompassing modern day Afghanistan, Pakistan, and Northern India. During this period, a great multitude and variety of Buddhist literature circulated throughout the area. This talk will present a curated view for non-specialists into the nature of textual transmissions that were circulating throughout Greater Gandhāra in the middle of the first millennium by exploring recently discovered manuscript artefacts from the area.

Tuesday 13 May 2025 – Following in the Footsteps of the Buddha: The Archaeology of Indian Buddhism

This lecture explores the archaeology of Indian Buddhism through an examination of key sites associated with the life and teachings of Śākyamunithe historical Buddha. From his birthplace at Lumbini, to the site of his enlightenment at Bodhgaya, his first sermon at Sarnath, and his final passing at Kushinagar, these sacred locations provide invaluable insights into the material cultures and ritual landscapes of early Buddhism. The discussion will focus on archaeological excavations, structural remains, inscriptions, and artistic developments that shaped the Buddhist pilgrimage circuit in South Asia. Additionally, the lecture will explore Emperor Ashoka Maurya’s role as the first Buddhist sovereign and his patronage in the monumentalisation and expansion of these sites.